Advertising | Marketing | Branding | Digital | Artistic Eye
RESULTS DRIVEN AND AMBITIOUS TO USE MY INTERNATIONAL EXPERIENCE
TO DELIVER IMPACTFUL MARKETING ACROSS ALL PLATFORMS IN THE CUSTOMER JOURNEY
English (Mother Tongue), French (Fluent), Italian (Good), Spanish (Basic)
Project: Development-Supervision-Delivery-Presentation | Direction | Entrepreneur | Stress resistant | Problem solver | Diplomacy | Client affinity
Concept | Story Driven | Production knowledge | Audiovisual Digital & Web | Artistic Eye
Branding | Communication | Strategy | Marketing | Creatively literate
From agency to film delivery and all the intervening production oversight.
Delivering Pre-production meeting presentations. Budget Size: Euro 50,000 – 500,0000
Production oversight: Brief, Picture Research, Designing document, Pitching, Presentation, Casting, Music, Set design, Cinematography, Story boarding, Shooting film and managing full film set, Editing (Cinema, TV, Web Versions), Music composition, Colour grading.
Client | Agency Presentation, Delivery & Approval.
Some of the films I worked on:
Nivea FCB Hamburg | Redds DDB Moscow | Korres Natural Prducts Air Paris | Google + (Plus) Italian Launch Adam&Eve DDB London | Vichy 3 films TBWA Paris | H&S Saatchi & Saatchi London Awarded Silver Shark | Samsung Cheil Worldwide Moscow | Adidas Direct to client, Hamburg | Milford Scholtz & Friends, Hamburg | Brothers UK Cider – Direct to Client, London | Minute Maid, Saatchi&Saatchi, Shanghai | Radler Beer Grey, Czech Republic | Downy Grey, Manilla | Indulona brand re-launch 2 films Leo Burnet Czech Republic Awarded Effie Gold | H&S Pan Asia 4 films Saatchi & Saatchi, Singapore.
19/06/06 – 30/04/08
EIM SA. Fund of Funds.
Branding. Briefed and managed the branding project for the group. Responsible for the rethinking of the EIM brand concept and design.
Matrix. Defined business and technical framework for reporting key performance indicators.
Retrocession. Implementation, content gathering of a sophisticated Financial database tool, incorporating investor and sales data to be shared across the EIM Groups offices.
Freshmoney. Created a more defined and consolidated approach to tracking freshmoney flows into the groups existing financial analysis structure.
1999 – 2006
BETC EURO RSCG Paris.
Transcriber / Copywriter
Worked freelance on various accounts in different stages of the creative process. My input has ranged from concept work to transcribing copy for the international market in English on campaigns and pictches. I worked on : Orange (institutional pitch & world tagline), Wonderbra, Evian, BNP Paribas, Air France, Aoste, Mouton Cadet, LU, Kiss Kool, Hollywood, Peugeot, Vittel.
01/03/05 – 30/05/05
01/09/04 – 30/11/04
Multimatin | multiBlick Intercative entertainment CD-Rom- Circulation 500,000. Production co-ordinated & partnered with The Sunday Times London. Multimatin Summer & Winter Editions 2005. First interactive entertainment CD-Roms produced outside the UK.
1999 – 03
New Media Industries (NMI)
Thirteen Ten Ltd. London.
Directed Bacardi Breezer commercial for the Swiss cinema. Commercial also sold to Ireland.
Directed the launch campaign of Alain Afflelou Ephémère France. Direct to Client.
Hakuhodo France. Copywriter/Transcriber on the institutional pitch for Honda Europe South (France, Italy, Spain).
Dunhill. Worked on a concept for a commercial based on a Digital Test conceived and directed by me.
Directed Amaretto Disaronno mood for Armando Testa London. Won the European Campaign. Agency Art Director for filming Rome.
Directed Its Campaign UK mood . Art Director for London filming. Director Gilles Mimouni (director of BAFTA awarded L’appartement).
1994 – 1998
Mario Testino, Serge Leblon, Toni Meneguzzo, Malcom Venville, Duncan Sim amongst many other photographers. Budgets worked on : Banana Republic, Smirnoff through to Vogue and small clients.
The Times Magazine London. Not So Extremes, Japan. Frank Magazine, London. Joseph, Paris.
1993 – 94
Nomura Bank Switzerland
As an account executive at Nomura Bank Switzerland, I was responsible for developing the UK and US markets, servicing Swiss institutions. This entailed following the markets, presenting the morning meeting, setting up meetings with potential clients, covering clients, setting up a mailing list for documentation on companies and the strategies to be dispatched on time, setting up meetings with analysts and strategists, setting up presentations, attending company presentations and advising clients.
08/1992 – 11/92
Cargill International S.A.
Research and designing working spreadsheet on the Baltic Freight Index to help trading positions. Presentation of the research. Accumulation, compiling and presentation of vessel information and ship description. Similar procedure for the port cost project. Two weeks on the trading desk.
”Working together with Nick on the NIVEA Shoot for the "Time Range" Shower Range was an extraordinary enjoyable and satisfying experience.Bernd Bender-Asbeck - Executive Creative DirectorDRAFT FCB Hamburg
I was totally excited about Nick's professional skills as a director. His effort, enthusiasm and creativity started already with first pre-production conversations we had, lasting until the last tiny bit of postproduction.
The shoot itself was quite an experience, shooting fascinating special effects of water and ingredients, but also capturing very emotional, intimate moments of our talent under the shower.
Nick managed to bring the best out of the script, the talent and the crew – to me it was a pleasure working with him.
Based on 20 years of experience in the industry now, I can highly recommend Nick Vecchi as an outstanding director – and as a great, reliable and engaging partner for every creative or client to work with.
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